/
Your selections:
Australian Child Actors on Early-Twentieth-Century Touring Circuits
- Arrighi, Gillian
Circus, colonialism and empire: the circus in Australasia and Asia
Victoria theatre virtual reality: A digital heritage case study and user experience design
- Arrighi, Gillian, Siang See, Zi, Jones, Donovan
Circus and electricity: staging connextions between science and popular entertainments
Editorial
- Arrighi, Gillian, Bollen, Jonathan
The Circus as an Agent of Transculturation
Celebrating childhood on the Vaudeville stage
Harry Lyons is 'here, there and everywhere': Australia's late 19th century global entertainment broker
Methodologies of the popular (editorial)
Reimagining 'role' and 'character': an approach to acting training for role-play simulation in the tertiary education setting
- Arrighi, Gillian, Irvine, Clare, Joyce, Brian, Haracz, Kirsti
Synthesising circus aesthetics and science: Australian circus and variety theatre at the turn of the twentieth century
The controversial "case of the opera children in the East": political conflict between popular demand for child actors and modernising cultural policy on the child
Healthy bodies and young minds: late-nineteenth-century performer training in Australia
The circus and modernity: a commitment to 'the newer' and 'the newest'
The rediscovery of the mask
Circus studies: where to next?
Simulated patients in a mental health occupational therapy course: a pilot study
- Haracz, Kirsti, Arrighi, Gillian, Joyce, Brian
The Fitzgerald Brothers' Circus : spectacle, identity, and nationhood at the Australian circus
Are you sure you would like to clear your session, including search history and login status?